Bluegrass guitar hot lick
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Common Bluegrass Flatpicking Licks
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Licks in the key of
No track listing given on labels. In the second measure, the open G string provides an Fsus2 sound, whereas both the C and the G rolls are derived from triads. But rather than being scale-oriented, as in jazz, the bluegrass versions usually involve some means of chord-tone targeting. Edit Release Sell This Item. Guitar, Narrator — Orrin Star. The D7 contains four chord tones. So grab your guitar—an acoustic is traditional, but these licks sound great on electric guitar too—and sharpen your flat-pick. The outro letter C is a recapitulation of bars 13—20, except that for the final four bars the band again goes into stop time. All three are examples of forward ascending rolls. The solo kicks off with a pair of banjo-roll phrases on the top three strings. Many bluegrass players use legato techniques such as these in their solos. Side B continues with selected licks numbered through
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